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Steve Rowell is a research-based artist who works with photography and moving image, sound, installation, maps, and spatial concepts. He has lived in Los Angeles, Oxford, Berlin, Chicago, and Washington DC over the past 20 years. His transdisciplinary practice focuses on overlapping aspects of technology, perception, and culture as related to the ontology of landscape. Rowell contextualizes the morphology of the built environment with the surrounding medium of Nature; appropriating the methods and tools of the geographer and archaeologist.

In addition to being Program Manager at The Center for Land Use Interpretation (Los Angeles) since 2001, he has collaborated with SIMPARCH (Chicago) and The Office of Experiments (London).

Steve's work (collaborative and solo) has been exhibited internationally at a range of galleries and museums, including: The 2006 Whitney Biennial and PS1, New York; Yerba Buena Center for The Arts, San Francisco; The Smithsonian American Art Museum, Washington, DC; Transmediale and NGBK, Berlin; The Barbican Art Centre and the Frieze Art Fair, London; The John Hansard Gallery, Southampton; Ballroom Marfa; The Center for PostNatural History, Pittsburgh; The Institute for Visual Art, Milwaukee; and The Museum of Contemporary Art, Chicago. In 2013 he received awards from Creative Capital and the Graham Foundation for Advanced Studies in the Fine Arts.

In June 2017, Steve completed a post-graduate degree at the University of Oxford, focusing his research on existential risks, specifically artificial intelligence and climate change.

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Current and recent projects include:

- Midstream at Twilight, a new moving image work commissioned by the Museum of Contemporary Photography, Chicago.

- Parallelograms, thanks to a 2013 grant from the Graham Foundation for Advanced Studies in the Fine Arts .

- Uncanny Sensing, Remote Valleys, in-progress thanks to a 2013 Creative Capital Award.